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Few groups made as powerful an impression on American blues music in the early 1970s as The Allman Brothers Band. Its blend of blues, jazz, rock and country elements was a predominant sound on nascent FM radio and influenced countless bands that followed in their wake. The Allman Brothers Band have endured tragedies, periods of obscurity and personnel ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal group, 1969–76, 1978–82, 1989–present) A southern American blues-rock band comprising Duane Allman (guitar), Gregg Allman (vocals, organ), Dickey Betts (guitar, vocals), Berry Oakley (bass), Butch Trucks and Jai Johanny ‘Jaimoe’ Johanson (both drums). The Allmans’ incendiary double lead guitar sound was captured on Live At The Fillmore East (1971). Despite the deaths of Duane Allman ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Southern-rock guitarist Duane Allman was born in Nashville, Tennessee in 1946. Allman was inspired to take up the guitar by his brother Gregg. At first, they played country music, their initiation into the blues coming when the brothers saw B.B. King performing in Nashville. The pair began playing professionally in 1961, first in The Allman Joys ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Warren Haynes was born in Asheville, North Carolina in 1960. He began to play the guitar at age 12. Jimi Hendrix, Eric Clapton and Johnny Winter were early influences. ‘I would read interviews with all these people and find out who they listened to,’ Haynes has said. ‘And they all listened to B.B. King and Freddie King ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Randy Brecker, trumpet, flugelhorn, b. 1945; Michael Brecker, tenor and soprano saxophone, EWI, 1949–2007) Philadelphia-born brothers Randy and Michael Brecker were already experienced players when they collaborated with drummer Billy Cobham in 1970 to form Dreams, one of the first groups to attempt combining elements of jazz and rock. In 1975 the siblings formed ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal/instrumental group, 1977–present) The Neville Brothers – Art (keyboards, vocals), Aaron (percussion, vocals), Charles (saxophone, vocals) and Cyril (percussion, vocals) – have been one of New Orleans’ foremost musical families since 1954. Art led Allen Toussaint’s house band (the Meters) from the late 1960s, before convening his brothers into a unit in 1976. They released ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal duo, 1930s–40s) Contemporaries of the Delmores, Dixons and other brother acts, Homer (1912–2002) and Walter (1910–71) Callahan (professionally, Bill and Joe respectively) stood out with their duet yodelling and their fondness for bluesy themes. Starting out on radio in Asheville, North Carolina, in 1933, they recorded copiously through the 1930s, enjoying moderate ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal duo, 1926–52) The sound of The Delmore Brothers – a humorous blues or a wistful train song, told to the rhythm of two mellow guitars – echoed through country music across three decades. Alton (1908–64) and Rabon (1916–52) were among the first stars of the microphone era, their voices linked in soft, confidential harmony fit for ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal/instrumental group, 1934–50s) The Shelton Brothers (née Attlesey) were Texans who wavered between an old-time duet style and western swing. Joe (1909–83) played mandolin, Bob (1911–80) concentrated mostly on comedy (a third brother, Merle, played guitar). Originally teamed with Leon Chappelear as The Lone Star Cowboys, they went out on their own in 1934. Their swing ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Bill Monroe invented the ‘high, lonesome’ sound of bluegrass vocals, but The Stanley Brothers perfected it. Ralph and Carter Stanley refined those vocals into close, three-part harmonies that were unprecedented at the time and which have had a lasting influence ever since. If Bill Monroe And The Blue Grass Boys set the standard for bluegrass picking, The ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal/instrumental duo, 1938–80) Boston became an unlikely hotbed of bluegrass and old-time music, thanks in large part to The Lilly Brothers – West Virginia’s Mitchell Burt ‘Bea’ Lilly (vocals, guitar, 1921–2005) and Charles Everett Lilly (vocals, mandolin, b. 1924). They moved there in 1952 and played at a city bar called the Hillbilly Ranch for ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal/instrumental group, 1953–90s) The Osborne Brothers were well versed in traditional bluegrass but they made their biggest impact by experimenting with pop-country material and arrangements. Before they formed their partnership in Dayton, Ohio, in 1953, Bobby Osborne (vocals, mandolin, guitar, b. 1931) had apprenticed with The Stanley Brothers and Sonny Osborne (vocals, banjo ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The Louvin Brothers followed in the footsteps of The Blue Sky Boys, one of the most influential close-harmony groups of the 1940s, and they paved the way for The Everly Brothers, kings of the 1950s and 1960s brother harmony duos. Though The Louvin Brothers’ commercial heyday was a relatively brief half-decade in the 1950s, their powerful, ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal duo, 1944–49) This popular vocal duo was actually comprised at various times of changing configurations of four brothers: Kyle, John, Walter and Homer Bailes, who were all born in Kanawah County, West Virginia, between 1915 and 1922. The Bailes Brothers’ peak years were from 1944 to 1949, when they disbanded. During those four ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal quartet, 1955–present) The Statler Brothers first performed as The Kingsmen, in and around Staunton, Virginia, where the founding members attended high school together. The original Statlers were brothers Harold (b. 1939) and Don Reid (b. 1945), Lew DeWitt (1938–90) and Phil Balsley (b. 1939). When DeWitt was sidelined with illness in 1981, he was replaced ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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